Canon 9426A002 Rebel T2 SLR Camera Kit with 28-90mm f/4-5.6 EF III Lens - FotoConnection.com

Canon Rebel T2 SLR Camera Kit with Canon 28-90mm f/4-5.6 EF III Lens

$299.00
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Our Catalog #: CNREBELT2KIT2890
SKU #: 9426A002
Condition: Brand New Factory Sealed With 1 Year USA Warranty
Availability: In Stock
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Canon 9426A002 Rebel T2 SLR Camera Kit with Canon 28-90mm f/4-5.6 EF III Lens Details:

At 3 frames per second in the One-Shot AF mode, the EOS Rebel T2 camera provides the fastest continuous shooting speed in its class. When the camera is set to the AI SERVO mode for tracking moving subjects, the maximum speed is 2.5 frames per second. The T2 is the first EOS Rebel that lets users select AF modes independently, a highly requested feature. A four-position keypad on the back of the camera also makes autofocus point selection more intuitive and faster, providing overall better performance for users.

Description:

At 3 frames per second in the One-Shot AF mode, the EOS Rebel T2 camera provides the fastest continuous shooting speed in its class. When the camera is set to the AI SERVO mode for tracking moving subjects, the maximum speed is 2.5 frames per second. The T2 is the first EOS Rebel that lets users select AF modes independently, a highly requested feature. A four-position keypad on the back of the camera also makes autofocus point selection more intuitive and faster, providing overall better performance for users.

The Rebel T2 model boasts a maximum shutter speed of 1/4000 second and X-sync at 1/125 sec., compared to 1/2000 second and X-sync at 1/90 with previous models. Also, due to faster shutter cocking, the viewfinder blackout time has been shortened from 180 milliseconds to approx. 150 ms., which makes the shooting experience more pleasant and productive.

Also enhanced in the EOS Rebel T2 camera is the E-TTL II autoflash metering system, which is used for both the built-in flash and external EX-series Speedlites. The E-TTL II flash system, which is compatible with all EF lenses, consistently produces accurate flash exposures, even when shooting light, dark or highly reflective subjects.

This system compares the ambient light with a pre-flash reflected off the subject and selects the areas with a small difference to be weighted for flash exposure calculation. The system also ignores extremely reflective objects in the foreground or background, and improves its accuracy even further by considering the distance information data provided from EF lenses equipped with a built-in distance encoder.

In cases where photographers lock focus and recompose the shot, E-TTL II prevents over-exposure by considering the flash output level calculated according to the distance information rather than the active AF point.

Outfitted in a dark metallic gray finish, the T2s compactness is emphasized with cutaway surfaces on the front and back of the top cover. With a black rubber skin on the grip, users are provided with additional holding comfort.

Canons EOS Rebel T2 camera provides photographers with ease of use and full SLR control with the ability to choose exposure modes ranging from fully manual to fully automatic with a variety of Programmed Image Control (PIC) modes. Using the Command Dial on the camera, users have immediate access to 12 different shooting modes including Full Auto, Program AE, Shutter Priority AE, Aperture Priority AE, Manual, Auto Depth-of-Field AE, Portrait, Landscape, Close-up, Sports, Night Scene, and Flash Off.

The Rebel T2 is the first Rebel-series camera with user-selectable custom functions that allow the photographer to tailor specific camera features according to personal preferences. Previously found only in more expensive models.

Specifications:

Camera Type: 35mm focal plane shutter SLR (Single-Lens Reflex) autofocus / autoexposure camera with built-in motor drive and retractable flash.

Lens Mount: Canon EF Mount (electronic signal transfer system)

Focus Type: AF Control System: TTL-SIR CMOS sensor.

Focus Modes: User-selectable M, P, Tv, Av, and M exposure mode; in other modes, set automatically by camera
1. One-Shot AF: camera locks focus in stationary subjects
2. AI Servo AF: camera continually tracks moving subjects
3. AI Focus AF: camera assesses subject, and automatically selects One-Shot AF or AI Servo AF.

Focus Sensitivity Range: EV 1-18 (at ISO 100)

Focus Screen: Fixed, full-surface new laser-matte screen marked with focusing points.

Exposure Modes
1. Intelligent program AE with variable shift (P)
2. Shutter speed-priority AE (Tv)
3. Aperture-priority AE (Av)
4. Auto DEP (A-DEP)
5. Full Auto (Intelligent program AE, unshiftable)
6. Programmed Image Zone Modes: Portrait, Landscape, Close-up, Sports, Night Portrait and Flash Off
7. E-TTL II program flash AE
8. Metered manual

Exposure Metering
1. TTL full-aperture metering using 35-zone SPC (Silicon Photocell). Three metering patterns available.
a. 35-zone Evaluative Metering.
b. Central partial metering which covers approximately 9.5% of finder area.
c. Center weighted average metering (Set automatically in M mode.)
2. E-TTL II: 35-zone preflash metering using Speedlite 550EX, 420EX, 220EX or EX series

Macro flashes:
MR-14EX or MT-24EX. EX series Speedlites or built-in flash required.

Metering Range: EV 2-20 (with 50mm f/1.4 lens at ISO100).

ISO Range: 25-5000 automatically set in 1/3 step increments (DX); manual from 6-6400 in 1/3 step increments.

Exposure Bracketing: (AEB) up to +/-3 EV in 1/2 stops

Exposure Compensation: Manual exposure compensation up to +/-3 EV in 1/2 stops.

Shutter Speed: 30 to 1/4000 sec., Bulb; X-sync at 1/125

Multiple Exposure: Up to 9 exposures can be preset. Automatically clears upon completion. Cancellable midway

Self Timer: Yes, 10 sec. Delay

Built-in Flash: Built-in E-TTL II autoflash for high-precision, stable flash exposures (FE Flashenabled)

Recycling Time: Approx. 2 seconds. The icon lights in the viewfinder when ready
Flash Coverage Angle: 28mm lens

PC Terminal: No

Film Advance Modes: Single-frame advance or continuous advance set automatically according to the picture-taking mode.

Viewfinder: SLR-type, eye-level roof prism mirror 90% coverage with the following information displayed Shutter speed, Aperture, AE lock/FE lock Indicator (Partial metering at center), Exposure level scale with dot indicators in 1/2 stop increments. (+/-2 stops), Flash ready light, High-speed sync indicator (FP flash), In-focus indicator

Depth Of Field Preview: Yes

Date/Time: Only with QD Date Model

Diopter Correction: -2.5 - +0.5 dpt. Adjustable by user

Remote Control: Remote Switch RS-60E3

Mirror Lock-Up: No

Power Source: Two CR2 lithium batteries housed inside the camera grip

Dimensions: 5.10 (W) x 3.50 (H) x 2.52 (D) in. / 130 (W) x 90 (H) x 64 (D) mm

Weight: 12.9 oz. / 365 g without batteries

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The Canon 9426A002 Rebel T2 SLR Camera Kit with Canon 28-90mm f/4-5.6 EF III Lens Includes:

28-90mm F4/5.6 Autofocus Zoom Lens,
Wide neck strap ,
Lithium batteries
Brand New Factory Sealed With 1 Year USA Warranty


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Tip: Have you ever returned from a trip thinking you had taken some great shots? But, upon review of your prints you were disappointed to discover that some of them, especially those shot indoors or at night or in other dark places, came out blurry, looking like someone was shaking the camera when you took the picture? That is a very common problem called ”Camera Shake” and every year it destroys millions of photos that could have been wonderful. ”Camera Shake” is caused when there isn’t enough light for the camera to set a fast shutter speed. Your camera’s shutter opens and has to stay open for up to several seconds for enough light to hit the film to make an image. The problem: most people cannot hold a camera perfectly still for more than a small fraction of a second. The blurry image you see is caused by the camera moving while the shutter is open, and it happens to everyone. To avoid ”Camera Shake” and get a clear sharp picture in low light, the camera must be attached to something so it will not move at all. That is where a tripod comes in. Mount the camera to the tripod and it will not move. Also, use the camera’s self-timer or a cable release so that you are not touching the camera when the picture is taken. Do this, and you will eliminate ”Camera Shake” and get the great clear pictures you were expecting.

Camera Flashes & Accessories

Tip: A external/ add on flash is important and only then will you discover especially for indoors human potrait shots, skin tones are more natural and with the background showing more, it makes the overall picture more pleasant and exciting to look at. Focusing thus becomes very important too. Without focus, your subject becomes ”un important” in the overall pics.

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Film Based Cameras

Tip: Extended Sevice Plans protect your investment from damages. Unlike some protection plans that charge a deductible, your service plan covers all expenses related to repairing or replacing your product: You will not pay any out of pocket expenses for your repairs.

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Multi-Purpose Bags and Cases

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Macro

Tip: Macro shots have a variety of uses. They add variety, information and interest. Productions about hobbies or collections cry out for macro shots showing the details of coins, stamps or figurines. Imagine interviewing a coin collector. Visualize the collector talking about a coin, turning it over in his hand then laying it on the table in front of him. This would set up a macro shot of the coin. Footage of old photographs is another opportunity for the use of macro techniques. Historical productions benefit from closeups of old photographs or documents. They not only convey information but also relieve the visual monotony of a talking head. A macro lens is a superb tool and will also work very well as a general purpose lens of the same focal length. Taking close-up pictures of very small things is called ”macro photography.” For macro photography you will need a macro lens.

Telephoto

Tip: People who shoot wildlife or surfing competitions use long lenses to bring that distant person or animal up close for a good look. Telephoto lenses let you see the details of something far off. Telephoto lenses flatten perspective. They make different elements in the picture look closer together than they really are. You've seen this in movies where the hero seems to be walking down an incredibly crowded street with people squeezed right up next to him. You get this effect by standing well back and shooting with a long telephoto lens. The magnification of a telephoto can be used for dramatic effect. For example, you may want to shoot a twilight shot that includes the full moon in the background. The moon will appear larger and closer if you shoot with a long lens. You can also zoom in on objects that aren't so far away. While a telephoto lens usually will not focus close enough to be a true macro lens (used for very detailed close-ups), it will often enable you to take interesting close-ups or details. At close range, the shallow depth of field of a telephoto will also help the item stand out from its background. On even normal-sized subjects, you can minimize distracting backgrounds using depth of field. If possible, move your subject away from the background and adjust your focus to soften the background but keep the subject sharp. Manipulating perspective is a useful creative tool. If you want to associate two things that are separated, move back and shoot them with your telephoto. This will make them appear closer together. To be creative, you need to know your equipment, what it can do, and what it can't. The telephoto lens is one of your most creative tools. By learning its characteristics and visual effects, you can use this tool to increase the impact of your videos and/ or pictures.

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Want to make your own package? Check out our full list of accessories

Canon 9426A002 Rebel T2 SLR Camera Kit with Canon 28-90mm f/4-5.6 EF III Lens Reviews



Want to make your own package? Check out our full list of accessories

Shipping

  • Ground: $16.95
  • 3 Days Delivery: $29.99
  • 2 Days Express: $39.99
  • Next Day Delivery: $59.99
  • Piority Overnight: $89.99
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White Glove Delivery (7-14 Days):
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